I should stress, that I don’t know what I’m talking about. I’m not an expert on the Eon James Bond films and I’ve no experience writing about music. However, not knowing what I’m talking about has never stopped me in the past.
This set of posts started while I was listening to the Of Human Bondage podcast [most recent episode https://pexlives.libsyn.com/roll-for-gators-or-live-and-let-die%5D which is doing a film-by-film critical look at the mad mess of misogyny, racism and gizmo-fueled British jingoism that is the Bond films. The more immediate cause was me just thinking about how many of the theme songs were sung by Welsh people. To be exact 16.7% of them, which is a lot given that Wales is a small county https://camestrosfelapton.wordpress.com/2021/09/19/todays-infographic-pie-charts-of-james-bond-movie-theme-singers/
Having spent time working that out, I thought I’d cover each of those songs one-by-one having already done a modicum of research. But I was busy at the time and so didn’t. Having become less busy, I thought I’d come back to the idea.
Some rules. I’ll cover usually just one song or piece of music per film but may occasionally look at some others where it is interesting. I’m not reviewing the films beyond what’s needed to give context but each post will be named after the film rather than the song.
The other question is the order. Odd numbers will be films going forward from 1962, even numbers will be films going backwards from 2021. That will bring the whole thing to an end in the 1980s, which is everybody’s favourite decade and has the best Bond films. No, but seriously, the Duran Duran[24] and Aha[22] songs are strong contenders even if the films are unloved. I’ll finish with a ranking of all the songs.
1 Dr. No (1962)
2 No Time to Die (2021)
3 From Russia with Love (1963)
4 Spectre (2015)
5 Goldfinger (1964)
6 Skyfall (2012)
7 Thunderball (1965)
8 Quantum of Solace (2008)
9 You Only Live Twice (1967)
10 Casino Royale (2006)
11 On Her Majesty’s Secret Service (1969)
12 Die Another Day (2002)
13 Diamonds Are Forever (1971)
14 The World Is Not Enough (1999)
15 Live and Let Die (1973)
16 Tomorrow Never Dies (1997)
17 The Man with the Golden Gun (1974)
18 GoldenEye (1995)
19 The Spy Who Loved Me (1977)
20 Licence to Kill (1989)
21 Moonraker (1979)
22 The Living Daylights (1987)
23 For Your Eyes Only (1981)
24 A View to a Kill (1985)
25 Octopussy (1983)
47 responses to “Bond Songs 0: Introduction”
I have confess that the songs for “A View to a Kill” and “The Living Daylights” are two of my favourites from the entire Bond series, even if “A View to a Kill” is not very good. “The Living Daylights” is actually a pretty good Bond film and Timothy Dalton (who is of course Welsh) is a very underrated Bond in general.
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Dalton was great as Bond, but it was his role in Hot Fuzz that made me adore him forever. 😀
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Oh yes!
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He made a good Prince Barin in Flash Gordon, too, and a fine Chief in Doom Patrol. Plus, he was Lord Azrael in a stage production of His Dark Materials with puppets..
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He’s also fun as Chuck’s father in Chuck and Brendan Fraser’s dad in Looney Tunes: Back in Action. Both of which are Bond-ish roles.
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Trivial correction: Dalton played a close friend of Chuck’s father in “Chuck” – Scott Bakula played Chuck’s father (unless I’m forgetting major details) (Dalton’s character was in love with Chuck’s mom, though)
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You’re probably right.
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I think there’s some truth to my friend Ross’s suggestion that Dalton approaches Bond as an actor more than most Bonds do. I like him as 007 and I enjoy Living Daylights, but god, License to Kill is one of the worst films in the series.
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I think most everything else Dalton has done is better than his Bond. Don’t forget his Doctor Who appearance, and Rocketeer. Dude is very genre.
Also don’t forget his first screen job was “Lion in Winter”, which is cool.
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Yes, both strong and memorable. It’s amazes me how many of the songs are actually forgettable
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There are a lot of Bond songs I can’t really remember. There’s also the genre of “Bond song in search of a movie” of songs that sound like Bond title songs, but never were.
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My absolute favorite of all the Bond songs is “You Know My Name” by Chris Cornell. I have it on my iPod.
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Oh no! I’m going to be a bit rude about that one! But I’ll explain when it comes along
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boooooooooooooooooo
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My wife describes Duran Duran songs as what happens when you try to pick up girls after dropping acid: “Hello Rio, I saw you dancing on the sand and — octopus! Union of the snake! Alarm clock!”
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I always think that Duran Duran songs (and I like Duran Duran a lot) sound like theme songs to awesome 1980s Saturday morning cartoons from a parallel universe. “The Union of a Snake” is a cyborg ninja adventure, “The Reflex” is a superhero show, etc…
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Gold by Spandau Ballet is another cartoon superhero theme song without an actual cartoon superhero show to go with it
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The video for Mike and the Mechanics’ “Silent Running looks like the trailer for a movie that doesn’t exist (and is quite obviously intended to look that way). https://www.youtube.com/watch?v=ep7W89I_V_g
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“Gold” is definitely a 1980s action/superhero cartoon. I imagine something He-Man/She-Ra like. And Mike and the Mechanics’ “Silent Running” is the theme tune for a 1980s near future dystopian series that never came to be.
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My own interpretation is that they’re time-traveling Dadaists stranded in the 1980s — “We have to make money somehow. What if we set our poetry to music and make a ‘music video’?”
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And “Wild Boys” is of course a sword and sorcery or sword and planet cartoon in the He-Man/Thundarr/Blackstar/Thundercats mode.
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What do you think of their brand new single? The video is pretty amusing, but they always had great videos.
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I haven’t heard it — now that we have Sirius in the car, I don’t listen much to regular radio. Yes on the videos — they were routinely described back in the day as being more about the videos than the music.
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I was asking Cora, but also everyone in general.
I recommend finding the video on YouTube or whatever. The song itself isn’t much, but the video is funny. They’ve changed so much and yet not at all.
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My favorite was “Diamonds are Forever,” but that’s probably because it was one of the first Bond films I ever saw, and it has positive associations for me. Also, I remember being surprised it had gay characters in it. (Not very positive gay characters, but, at that point in my life, any gay representation was welcome.)
And I’ve always loved the theme song.
My favorite line was when Bond explained that diamonds had replaced the dog as a girl’s best friend.
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Rewatching it for my book on the films (Sex for Dinner, Death for Breakfast) it struck me how much I like Tiffany Case. She’s isn’t anyone’s mistress, she has life goals (albeit “work for the mob, get rich” isn’t a deep goal) and her last line to James isn’t about sex, it’s about getting those lovely diamonds back from space. Plus Bambi and Thumper kicking 007’s butt is fun.
Trivia note, this was originally conceived as James Bond vs. Goldfinger’s Brother but Gert Frobe wasn’t interested in playing his character’s more-evil twin.
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The gay characters are at least interesting – it’s homophobic but not the normal homophobia.
The wholly unexplained fake moon landing set (before moon landing conspiracy theories were even really a thing) is the best bit of that film. It’s like a pop-culture visual joke but aimed at future audiences.
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Please enjoy this medley of James Bond Theme covers https://youtu.be/SeYfAmz0Jlk
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I find that the theme to Goldfinger really gets across its message – this film has a guy named Goldfinger in it. So there.
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Goldfinger, GoldenEye and License to Kill are the best examples of the “black female lounge singer belts out James Bond tune” trend that became something of a formula.
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Goldfinger, Diamonds Are Forever, and Moonraker were all sung by the same woman: Shirley Bassey.
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Largely accounting, all on her own, for the extreme Welshness of 007 songs.
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(Also, “The Extreme Welshness of 007 Songs” is the name of my next band.)
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I think Tom Jones probably helped.
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Can you turn this data into any kind of graph? Nobody can say you don’t know what you’re talking about if you have a colorful graph!
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My career summed up in a sentence
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I think you need something like a confusion matrix with counts of ( bad song/ bad movie bad song/good movie good song/bad movie
good song/good movie )
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EuroBondoVision?
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Oh, you don’t want that. Bond’s British; everything would be nul points.
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“Live and Let Die” is the best Bond theme and the worst Bond movie.
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I don’t know about the worst but it’s the most likely one to collapse under the weight of all its own racism even after taking You Only Live Twice & Sean Connery in yellowface into account.
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It does boast Yaphet Kotto and Geoffrey Holden so not the worst for me.
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Yaphet Kotto almost saves it.
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I’ve always loved the moment Bond starts to introduce himself with “My name is —” Kananga: “Names are for tombstones, baby.”
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There’s a cool guy with hat and skull face in it. That makes it the best Bond movie.
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He is the best thing in the movie. I mean, it has some great bits but it never seems to cohere into something overall good.
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The only ones I can remember in detail are 5, 15, 18, 19, 22, 23, and 24. So it looks like I’ll be more interested in the later chapters. I have vague memories of 6 and 7 and will probably remember some of them when they come up.
live and let die BAM BAM live and let die doo dee doo, doo dee doo doo doo
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