Review: Doctor Who – Demons of the Punjab

Doctor Who touches on an even more raw, unsealed point of history than it did with Rosa, this time setting the story in the midst of the 1947 partition of India. The story is decent enough and at times moving. It’s less reverential about the its subject than Rosa but also treats the topic with a studied vagueness. Keen to avoid apportioning blame for a political event that saw a huge death toll, ethnic cleansing and massive displacement of peoples.

With its focus on Yaz’s grandmother and her intent to marry her Hindu neighbour, the story largely avoids discussing the major villains of the actual partition: the British (or if we want to be very specific, the machinations of Winston Churchill). Particularly awkward given the Doctor’s Anglophile habits (and previous hob-nobbling with aforementioned ex-Prime Minister). Instead the story’s conflict is between two Hindu brothers with clashing perspectives on the division of India into two nations.

As with all the stories so far, the plot is not deeply complex but there is a decent sense of mystery regarding the demonic aliens haunting the events, although in some ways this mystery is inconsequential. As with Rosa, we are back to a non-intervention view of time travel that is applied inconsistently. Tragic events are forced to play out and we are told the TARDIS crew can’t intervene but this makes the Doctor’s continued presence feel cruel or worse, indulging in tragedy.

Yaz get’s a Yaz-centred episode but also is forced into a role that has to be passive for fear of changing her own history. As a character she still hasn’t had an opportunity to precipitate events – even Ryan (who otherwise does very little this week) makes at least one thing occur.

There’s merit though in a story that is essentially tragic. There’s emotional depth and a surrounding message of the importance of remembering and acknowledging painful history. The politics is thin, perhaps thinner than thin but what the episode does is reject the previous cozy approach to history that Doctor Who has played (rarely straying from events & perspectives of events that would have graced a school textbook from 1964). Watching this episode, you would be none the wiser about Britain’s Empire in India and the immeasurable suffering it caused nor the horror and complexities of Partition but you would know that at the level of ordinary people and families historical events have personal consequences.


10 responses to “Review: Doctor Who – Demons of the Punjab”

  1. I’m working on a half-theory that the pattern of the episodes so far is that the aliens are almost cosy, it’s the humans that are the problem (and the solution)
    1 – alien is an asshole, but only wants to kill one person
    2 – the aliens (well, tech thingies) are dangerous, but also the fault of people who made them. The real solution is rejecting the conflict of the race
    3 – the bad guy is a human asshole
    4 – the spiders aren’t aliens, they’re the humans fault, especially asshole notTrump, and the spiders just want to live
    5 – the alien is just misunderstood, the real conflict is mostly getting around the idiot humans who installed a kill switch in the ship
    6 – the aliens are actually nice, some of the humans… not so much

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  2. It’s not political in the sense that it doesn’t really ever engage with the actual politics behind the partition but the key parts are certainly there – a potent mix of religion, nationalism and border-enforcement. It’s very much a commentary on the times we live in. I think it’s been one of the strongest episodes so far, despite the largely passive role that the Doctor and her crew had.

    Unrelated: does anyone else think it’s nice that the writers keep thinking up ways to have the Doctor be less reliant on her Sonic?

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      • I think that there was a bit of a plot hole with the sadhu’s death. I mean we’re told that he was shot, but nobody notices the bullet wound. Why not ?

        At least some of the local’s grievances get aired, even if they aren’t really shown. Even the arbitrary border never gets officially confirmed. The brother sets up a marker based on supposedly leaked maps – which we don’t see – but that’s it.

        But I thought it was a decent episode despite the problems. My biggest disappointment with this season is that we haven’t had anything better than decent yet.

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  3. I liked it. It was well-acted. And gorgeously shot like this whole season has been — really, the cinematography has been excellent, as has the direction. So far from the wobbly sets and monsters with zippers!

    I wanted older Yaz’ grandmother to be mine. I’m betting she knew all along (or at least by the end of the ep) that it was Yaz and friends at her wedding.

    The not-demons did mention the millions of people who were going to die because of this.

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    • It was, by the way, filmed in one of my very favourite parts of Spain: near the city of Granada, Andalusia.

      (Come for the gob-smackingly beautiful Alhambra Palace, preferably after reading Washington Irving’s loving tribute in his Tales of the Alhambra. Stay for the gorgeous scenery, including the nearby Sierra Nevada that gave California’s mountains their name, and that indeed is snowy even in summer.)

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  4. I’ve been warming to the music/sound design of Segun Akinola as the season progresses. In my opinion, he hit it out of the park with this one. I think the music was the critical element of an episode that was also beautifully shot, well acted and brilliantly written. I hold this episode up as one of the best that new Who has to offer and definitely my favourite of the season so far.

    As Paul King above said, here was the plot hole of no-one noticing that the holy man had been shot, but Doctor Who is rarely free of those. I’ll put that one down to the frantic pace of modern TV plots and a reluctance to slow the story with a more plausible explanation.

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