I know many regular readers of this blog will not be sad to learn that Jon Del Arroz has deleted his Twitter account. I shan’t rehash Jon’s various actions over the past few years but these links are relevant:
The latest twist in the Ballad of Del Arroz is comicsgategatecomicsgate related. According to JDA himself, Ethan Van Sciver (arguably driving force behind the online harassment campaign known as ‘comicsgate’) had told him to go away:
“Ethan finally came out and said he didn’t like me over the weekend, told me to “go away”, as if I didn’t have any part of this movement before he even showed up. The hubris in that statement and resentment shows that he blames me for his crumbling empire, even though I have little to do with him (I’ve not been around his youtube crew at all for 2 months now!). Last night, he escalated attacks by coming after someone for following me on Twitter, accusing him of being a “Jon del Arroz acolyte” and promptly blocking him.” http://delarroz.com/2018/11/13/two-face-finally-came-for-me/
JDA himself has been variously harassed and counter harassed since the conflict between Vox Day and EVS over the ‘comicsgate’ label erupted in September. Surprisingly, when a movement based on trolling, name calling and harassments falls out with itself the result is not an amicable break-up and everybody agreeing to let bygones be bygones.
JDA also has a more recent blogpost on why comicsgate failed: http://delarroz.com/2018/11/16/a-failed-movement-in-three-acts/
It’s worth a read because it provides some insights into how a participant in one of these campaigns percieves the arc it follows. Jon identifies three phases to comicsgate:
- Identify The Problem and Raise Awareness
- Alt-Hero ushers in a revolution of crowdfunds
- A movement falls to contraction and fighting
It is phase one that Jon identifies as the ‘fun’ part. Of course, that was the part where the comicsgaters were primarily harassing actual writers and artists. The ‘unity’ was unity in spreading hatred and inciting harassment. The second phase was when people tried to make money out of the
suckers, um ‘activists’. The third phase was when the infighting started for multiple reasons but JDA ignores the most obvious one: campaigns like comicsgate reward obnoxious behaviour and hence any internal dispute is likely to escalate.
And Jon almost, almost, almost gets it:
“The whole premise was based on outrage, not actual products, and so these guys have to perpetually stoke outrage…”
Yes, yes we know. That’s what people were pointing out from wayyyy before ‘comicsgate’ started. That’s why we’ve been using the term ‘outrage marketing’
The Countess Moggymotheaten of the House of Moggymotheaten surveyed her surroundings on her palatial spaceship.
“F-ck, f-ck, f-ck,” she said using her customary choice of vocabulary.
“Would…” asked her lawyer and occasional ex-lover Buggles Tinternabbeygiftshop, “…you like to me to…take care of this unfortunate incident for you?”
“Of course I want you to f_cking, f-ck take f_cking, f-ck, f-ck care of f_cking it. F_ck” said the Countess.
Then for good measure she repeated the word “F_ck” sixty seven more times at varying distances from Buggles Tinternabbeygiftshop’s face.
Across the Interminabledependnecy a thousand human habitations drifted through a pithy and not wholly irrelevant info dump that, with a few asides, discussed much of both the history and the underlying physics of the setting of this novel.
True, most of the population of the Interminabledependnecy already knew this, having sat through (as a largely un-talkative population) the first novel of this series and beside which they had all presumably gone to school or something, although the exact details of how these people lived is beside the point as we’ll largely be looking at the lives of particularly sweary aristocrats for several more chapters.
The Emperatrix Betty Niceperson considered her options which despite the massive power of her position was highly limited. Not naturally being a sweary aristocrat left Betty Niceperson at a distinct disadvantage when negotiating with the powerful families of Interminabledependnecy. She simply did not know how to say “F_ck” with sufficient vehemence to make herself understood. She had experimented with saying “gosh darn it” but it hadn’t had the same effect.
Just then Buggles Tinternabbeygiftshop arrived with his customary vague threat from the Countess Moggymotheaten.
“I’m sorry,” explained the Emperatrix, “I’ve completely lost track of which person was my half-brother and which person was the Moggymotheaten scion I was supposed to marry and which one was trying to murder me.”
“The simple answer,” explained Buggles, “Is they are in fact all exactly the same person with different names. It’s a technical term we call SRAMP.”
“SRAMP” said Brunomars Nicechap, the Emperatrix’s pet physicist from the first book.
“Some rich arsehole merchant prince,” explained Buggles acronymically.
“I see,” said Betty,” but how does that help with the imminent collapse of the Empire?”
“It doesn’t,” explained Buggles, “I just accidentally wandered in from the earlier chapter.
“F_cccckkkkkk” continued the Countess Moggymotheaten for at least another few paragraphs.
Brunomars Nicechap stood in front of the crowd of angry looking space geologists.
“Please,” he pleaded, “you have to believe me that the whole Interminabledependnecy is going to collapse!”
“Of course we believe you,” said the scientists, “your math checks out and anyway the whole thing started to collapse in the last book. We aren’t idiots.”
“But, but, we’ve a whole chapter to fill with you guys not believing me.” said Brunomars Nicechap.
“Maybe we could just all sit here and check our emails instead?” suggested the scientists.
Which is what they did.
“F_cccckkkkkk” continued the Countess Moggymotheaten for at least another few chapters.
“What was I doing again?” asked Buggles Tinternabbeygiftshop of the Emperatrix.
“I think you were still supposed to be in chapter 1 getting orders from the Countess Moggymotheaten.” suggested Betty as nicely as possible.
“There’s not much point, she’ll be swearing for another six chapters at least.” said Buggles.
“Well we could have sex instead?” suggested Betty.
“Only if it is perfunctory and somewhat unerotic,” suggested Buggles.
“F_ck,” said the Emperatrix.
Then the Interminabledependnecy collapsed.
“F_ck” said everybody.
“That’s not how you write a novel,” said Jonathon Franzen.
“F_ck off, Jonathon Franzen,” said the Countess Moggymotheaten who then crashed a spaceship into the sun.
Cast your minds back to May 11 2016. It was a kinder, more innocent time and not-so-crypto crypto-fascist website Vox Popoli invited people to “Meet Rod Walker” (archive link). Walker was, we were told, the “new new Heinlein” and like Heinlein would be writing some exciting “juvenile” targetted science fiction novels for Vox Day’s Castalia House.
“We are very excited about our new series of Rod Walker books, because they are exactly what we founded Castalia House to publish. They are pure Blue SF, and contain no foul language, no adult themes, no nihilism, and they are 100 percent social justice-free. Robert Heinlein revitalized science fiction with just 12 wonderful novels – 13, if one counts Starship Troopers which was originally supposed to be a Scribner novel, but was foolishly turned down – and we believe it is possible to do achieve similar effects by applying the same principles that made his early novels so successful.”
The supposed success of “Mutiny in Space” was much trumpeted by Vox Day and this first “juvenile” was followed by two more: “Alien Game” and “Young Man’s War”. All the books had somewhat clumsy 3D model art covers. This was all according to the plan Vox Day had laid out in August 2016: [Archive link]
“He is one of the most professional authors in the industry, delivering what must be some of the cleanest manuscripts delivered anywhere. He’s not only professional, he’s prolific, as we’ll be publishing two more of his novels before the end of the year, Alien Game, which is a second Heinlein-style SF juvenile, and an as-yet-untitled fantasy novel set in Minaria, the world of Divine Right.”
“KU is the real game-changer now, because the traditional publishers can’t play there. But we can, and last month, one of our better-selling books sold more via KU than through all the other means and editions combined. It doesn’t make sense for us to sell all our books that way, as we’ve experimented and some books do great while others don’t, but KU editions are now every bit as important in their own right as paperback, hardcover, or audiobook editions.”
In July 2018, Rod Walker’s “Young Man’s War” was on Vox Day’s nomination list for the Dragon Awards.
But what about that fantasy series that was mentioned? In February 2018, the Castalia House blog had a review of a Rod Walker fantasy book called “Master Rogue 1: Mage Tome” http://www.castaliahouse.com/quick-reviews-mage-tome-karma-upsilon-4-and-appalling-stories but aside from that “Rod Walker” had gone a bit quiet.
More recently a stray comment in a post that appeared both at Vox Day’s blog and Castalia House blog caught my eye:
“Castalia House is not doing YA right now,”
A quick trip to Rod Walker’s own blog led to this:
The Wayback machine had a version of his front page from August 2018 but at some point since the blog had been blanked. The archived version showed a fantasy trilogy of novellas called “Master Rogue” . A simple google search for “Master Rogue: Mage Tome” gives a link to an Amazon page but that link leads to:
Does Straw Puppy work for Amazon now? Did he always work for Amazon? No, that’s a side issue. Off to Voxopedia. There “Rod Walker (science fiction author)” is a red broken link:
Rod Walker’s last blog entry appears to have been in July 2018. After that point, the mysterious Mr Walker appears to have disappeared and at least some of his book scrubbed from Amazon. The trilogy of novellas appear on Goodreads but no links to the books themselves function. There are odd remnants of the fantasy books on Amazon (https://www.amazon.com.au/gp/aw/cr/B077SGPHK2/ref=mw_dp_cr ) which prove they existed but they’ve since gone.
The conclusion was obvious: Rod Walker has vanished as swiftly as he once appeared and with him a trio of fantasy novellas. The new new Heinlein simply…vanished…
That’s very true random blog post title writer, I haven’t.
Yes, the shambling undead creature assembled from rotting remains of articles discarded by Wikipedia continues to lurch through the countryside occasionally gurgling the word “brrraainnss” (or is it “editorrrrsss”). Somehow it is still not dead despite being edited by a tiny number of people, two of whom seem to be at war over which kind of weird conspiracy theory complex is the right one.
Has it got worse? Mainly, yes. It already harboured some nasty apologetics for people who had psychologically abused children and since then has gained at least one editor engaged in some kind of transphobic campaign. Without sounding too much like a character from a Lovecraft pastiche, I shan’t link to the articles in question for fear that they may drive you mad or (more realistically) despair of humanity.
The incompetence remains refreshing. For example, the community portal (which I will link to https://infogalactic.com/info/Infogalactic:Community_portal ) remains remarkably informative…because all of the links in the “Topics” section go to…Wikipedia. Nobody has edited the community portal since April 2017, presumably because the community is so happy an healthy and nobody’s limbs have dropped off as they shambled with arms outstretched as if scripted by George Romero.
“But surely,” I hear you say, “the platform itself must have enabled some soul who has been frustrated by the narrow-minded editors of Wikipedia to find a safe harbour where they could express their encyclopedic tendencies without the harsh judgement of the social justice warriors?” Fear not. For amid the hatred and bigotry, conspiracy theories and hagiography of Ted Beale, one benighted soul has found a home on Voxopedia to bring to the world articles that no conventional wiki could ever host. I bring to you, Voxopedia – the place was Englebert Humperdinck reigns supreme.
Perhaps you want to know about Humperdinck’s 1977 compilation album “Engelbert Sings for You”? Well sorry bud but those stuffed shorts at Wikipedia can’t help you out! Not so Voxopedia: https://infogalactic.com/info/Engelbert_Sings_for_You_(Engelbert_Humperdinck_album)
Or maybe A Merry Christmas with Engelbert Humperdinck is more your thing: https://infogalactic.com/info/A_Merry_Christmas_with_Engelbert_Humperdinck_(Engelbert_Humperdinck_album)
Or perhaps https://infogalactic.com/info/Engelbert_Sings_the_Hits_(Engelbert_Humperdinck_album) an article form which we can learn:
“Not much information is available on this album, but it appears to be made by EMI, without any involvement from Epic. Hence, this was probably not released in the US.”
One plucky editor appears to have spent the past week attempting to make Voxopedia THE internet authority on Englebert Humperdinck. Is this a prank or is the Alt-Right desperate to find a popular singer to listen too now that they feel betrayed by Taylor Swift? Weirdly, the Voxopedia article on Humperdinck doesn’t mention his 2017 cover of an Ed Sheeran song, unlike Wikipedia — a fact that once again makes me feel the need to add dire warning like a character in a Lovecraft pastiche.
Things I learned today:
- Englebert Humperdinck is English and has the Freedom of the City of Liecester.
- According to Wikipedia “Humperdinck enjoyed his first real success during July 1966 in Belgium, where he and four others represented Britain in the annual Knokke song contest”
- I’d obviously heard of Humperdinck but I think I had him confused with somebody else but I’m not sure who.
- This is far more than I wanted to know about Englebert Humperdinck.
Comics love nothing more than a crossover event! In a rambling post about the schmozzle that was (comicsgatecomics^comicsgate^gate)! Vox Day is very keen to set the record straight about previous culture-wars hijackings:
“I would, however, like to correct one common misapprehension: I never co-opted Sad Puppies. To the contrary, I was the architect of the Sad Puppies most notorious success and at no point in time was there ever any conflict between the Sad Puppies and me. If you look more closely, you’ll notice that none of the four leaders of the Sad Puppies, from Larry to Kate, have ever made a single accusation on that score. I don’t intend to say any more than that, except to reiterate an absolute fact: I did not co-opt Sad Puppies and anyone who claims I did in any way, shape, or form is wrong.” http://voxday.blogspot.com/2018/09/dramagate.html [link for reference, I don’t recommend following it]
Hmmm, no I think it is safe to say that Vox Day really did co-opt the Sad Puppy campaign. Let me count the ways:
- He used Brad Torgersen’s cobbled together slate to form his own slate.
- He used the name “Rabid Puppies” to sow confusion between the two campaigns
- He commissioned a logo for his campaign from the same artist as the logo for the Sad Puppies campaign
- He manipulated the Sad Puppies into the spectacular own goal of the Tor boycott
- He mounted a vote stacking campaigns to help ensure that the Sad Puppy nominees swept whole categories…
- …and then left the Sad Puppies to defend the outcome
To be honest, I’m a little surprised Vox isn’t boasting about it. He very much wants people to believe that he is a master strategist of Batman like proportions and their are very few actual examples of him actually doing anything particularly clever. Yet the manipulation of the Sad Puppies is the one obvious and genuine example – he played them like a fiddle. Yes, they were easy and very gullible targets but still, Vox has no reason for false modesty in this one (and very limited) regard.
The political extremities are always strange places to visit. The far-right of Catholicism (or perhaps better described as the Catholic part of the far-right) in particular has some strange features. Recruiting as it does from the same mélange of social panics and prejudices, the outcomes it preaches fall in the same spectrum as the rest of the far-right: anti-immigrant rhetoric, nationalism, rhetoric against transgender people, rhetoric against LGBTQI people in general and the same confused appeals for free speech for those who wish to restrict free speech.
On top of that toxic soup is a layer of Platonic philosophy: abstractions are things and are real things in a way that actual real things aren’t. Here’s Dragon ‘Award winning author and freelance editor’ Brian Niemeier on the nature of God:
“When Christians–and some theist philosophers like Aristotle–say God, we don’t mean an old man on a mountaintop composing a global naughty/nice list when he’s not conjuring boulders he can’t lift. Such a being would fall into the category of a creature, albeit a powerful creature, existing within the material, temporal order.
What we mean by God is the uncreated, all-powerful, and absolute Being who transcends the created order.” http://www.brianniemeier.com/2018/08/finding-god.html
From there he segues into some classic arguments for the existence of god that follow the basic structure of abstract thing can be observed in reality, therefore, the abstract thing must exist as a thing in itself, therefore, some ultimate abstraction of the thing must be a god.
As regular readers will know, I think such arguments are flawed but it is worth acknowledging they are powerful arguments in their own way despite their head-scratching elements. What interests me most about them, is that by their nature they define and limit what kind of thing ‘god’ must be. In Brian Niemeier’s argument, his god is the essence of pure being – it is the thing that is what it is ultimately to ‘be’. Fair enough, imagine such a thing exists — I can take that as a credible belief. Where that becomes laughably absurd is when somebody asserts such a belief AND asserts that the core principle of being that transcends the universe spends its days worrying about whether people are wearing the wrong clothes, kissing the wrong people or not bing prayed at in Latin (obviously far-right Catholicism really needs mass to be said in Latin).
I’m stuck trying to imagine what is more rational. If a person has to believe their religion must validate their petty prejudices about other people would it not be more rational to believe in a petty & temperamental god. Apologies to any lingering Zeus worshipers but I can see how Zeus, as a character, might have strong opinions on such things. Niemeier notes that his god is not “composing a global naughty/nice list” but also believes that without a specific magic ritual, said in the right language, you can’t access the abstract principle of being qua being.
Think about it this way. The abstract number 7 has as much claim to existence transcending mere physical existences as “being” or any other abstraction — perhaps more so as there is the practical and powerful discipline of arithmetic that deals with things like 7 whose conclusions have real world implications. If you wish to take the Platonic* stance on the existence of 7 then I can’t regard your position as irrational. However, if you tell me that the number 7 has strong views on immigration policy** or that you can’t really relate to the number 7 unless you do arithmetic in Sanskrit then I think I’m entitled to look at your beliefs somewhat askance.
‘But that’s just an argument from incredulity’ well, yes it is an appeal to how absurd the idea is but to put it in more concrete terms, if a thing is the pure abstraction of X then its only quality can be X or qualities of which X is a member. Imagine the quality of ‘colour’ as a thing in itself (if that was possible) and call that X. In such a case X can’t be red and it can’t be blue, by being abstraction of colour it can’t be a particular colour. Going closer to the point, consider the abstraction of ‘opinion’. The abstraction of opinion cannot be a particular opinion as it is, by definition, the abstraction of the common qualities held by all opinions.
The above is not an argument for the non-existence of god, its not even an argument against the existence of an ultimately transcendent god (although I don’t believe in either). What it is that you can rationally have some ultimate transcendent principle of principles in a Platonic hierarchy or you can have a god that thinks about things and cares about what is going on but those two things can’t be the same without promoting absurdities.
*[Platonic here refereing to ‘Platonism’ in the mathematical philosophy sense that is derived from Plato but which doesn’t neccesarily reflect what Plato said.]
**[Although if 7 did have strong views on immigration policy then I’m sure they would be very compassionate and progressive views]
I will concede a massive bias in favour of the work of Noelle Stevenson, artist and writer and genius behind one of my all time favourite webcomics Nimona, as well as the quirky Lumberjanes. So I’ve been anticipating the project she has been working on: a Netflix re-boot of 1980’s cartoon She-Ra Princess of Power.
For those who may have forgotten, She-Ra was the girl-version of the oddly sanctimonious He-Man & The Master of the Universe. Like He-Man, it wasn’t great but wasn’t entirely terrible either by the admittedly weak standards of 1980s kid’s cartoons but like any children’s media it carries with it nostalgia and affection as an idea in the hearts of many who grew up with it.
Now, the series doesn’t start until November, so I don’t know if it will be good, bad or mediocre but I do know that what will decide that will be the quality of the story telling and based on Stevenson’s track record I’m definitely going to check it out.
Now something else I’m pretty confident of based on track records: the assorted rabid puppies and scrappy-doos of rightwing science fiction have never shown much interest in, affection for or nostalgia for the original She-Ra cartoon. It is also safe to assume that regardless of the art style, that barring a more risqué anime re-boot of She-Ra, they wouldn’t be tuning in regardless of the character design.
However, orders must have come on down the line from somewhere (Moscow? Skeletor?) and with the kind of unanimity that only aggressively authoritarian individualists can muster, howls (barks?) of protest about She-Ra’s new look have emanated from the usual quarters.
The gist of the argument is, in essence, that She-Ra does not have big enough boobs but it is dressed up in quite odd rhetoric about the world being robbed of beauty because She-Ra looks a bit boyish.
Here is our old pal Brian Niemeier posting a very confused rant about the whole thing: http://www.brianniemeier.com/2018/07/the-sjw-turkey-shoot.html
There’s a lot there about Netflix’s precarious business model which he then muddles in with stuff about SJWs. Now note HE DOESN’T EVEN LIKE the original She-Ra (for reasons so obvious that they can be summed up by the pronoun in the character’s name).
On Twitter, former Gamergater and Castilian House blogger Jasyn Jones aka “Daddy Warpig” also had a good old rant about She-Ra because…well again, he pretty much ALWAYS has a rant about female characters in current mainstream media unless they are anime characters. It’s so inevitable that only the immediate rationale changes, suffice to say a genre media property with a female lead will have a “grassroots” campaign from the same tiny cadre of extremists regardless. If the character design had been more stereotypically feminine then Brian and Jasyn would be using that to claim she couldn’t lift a sword or some other nonsense.
Why then even mention their nonsense? Mainly for example number a thousand and something, that despite their protestations to the contrary, they only care about how media conforms with their factional ideology and have zero interest in what story it tells. Yes, yes, I know you all knew that all ready BUT this way I also have a pretext to point out that there’s a Noelle Stevenson led cartoon coming to Netflix in November and it looks really great! 🙂