I’ve never been a fan of cricket but my family growing up were and there were numerous copies of Wisden in the house, which for those who don’t know of it is best described here https://en.wikipedia.org/wiki/Wisden_Cricketers%27_Almanack I guess some in the house hoped that I might find it intriguing and I could see the appeal but resisted.
These days we’ve got something better! All the fun of tables of dry numbers PLUS science fiction books! I don’t have a round up of other takes on the numbers yet though.
Normally Brandon Kempner at Chaos Horizon has posted something by now but there’s not been a post there since February. I hope he is OK.
Greg Hullender of Rocket Stack Rank is actually in Helsinki – and having a fun time I hope – so probably won’t post anything yet.
In the comments JJ gave links to three rich sources of data:
The first one is great for seeing EPH in action.
…that last post got a bit derailed by a sudden and immediate loss of personal objectivity.
OK the category to look at for EPH fun is Best Fan Artist. This category has a wide field, an intrinsically hard to judge topic, and low participation by voters. This means a much higher chance of a tie. One ‘feature-not-a-bug’ qualities of EPH is that it should reduce actual ties but that does mean the results start to look complex and arbitrary.
Virtual ties (in my head at least) are also important – where the number of votes between two people is very close. If it is down to one vote then it is good that EPH adds more elements to the contest.
At the low end of the nominations were these outcomes: (v = votes, p = EPH points)
- v 39 p 28.25 Spring Schoenhuth
- v 33 p 29.00 Steve Stiles
- v 34 p 24.00 Elizabeth Leggett
- v 33 p 24.75 Ariela Housman
- v 33 p 20.17 Galen Dara
- v 27 p 19.57 Richard Man
- v 28 p 14.83 Kathryn M. Weaver
Lots of close vote totals and low points. The stats PDF has a nice explanation:
“Pay attention, this is complicated.
If Galen Dara had had 0.33 more points, Elizabeth Leggett would have been eliminated on an earlier count and Galen Dara would probably have been a finalist.
Ariela Housman needed 1 more vote to displace Elizabeth Leggett from the final ballot.
To do the same, Richard Man needed at most another 7 votes worth 4.43 more points, Megan Lara needed at most another 9 votes worth 8.00 points, and Kathryn Weaver needed at most another 9.17 points.
Steve Stiles would have been displaced by Ariela Housman with 5.25 fewer points, and Spring Schoenhuth would have been displaced by Ariela Housman with 7 fewer votes, or 6 fewer votes worth more than 3.5 points.
If Spring Schoenhuth had had precisely 6 fewer votes worth precisely 3.5 points, she and Ariela Housman would have tied for the last ballot spot and both would have qualified when Mansik Yang was disqualified.
Put another way. If Galen Dara had been *less* popular with people who had voted for higher ranked nominees THEN she might have made the ballot. Likewise, if Steve Stiles’s support was more common among the other top rated nominees then he wouldn’t have made the ballot.
Is that fair? YES! Look at what it is doing. In borderline cases, close races are being decided by results that MAXIMISE the number of voters the resulting set of finalists represent. Put another way, more voters get somebody they voted for in the list of finalists. OK, in this case, the loaf is getting sliced microscopically thin but the only super-fair way of resolving this would have been to have 9 or 10 finalists.
Onto the Rabid nomination vote (not counting hostages).
- Novel 85 votes
- Novelette 77 votes
- Short Story 87 votes
- Best Editor Long 83 votes
- Semipro 80 votes
- Fanzine 85 votes
- Fancast 76 votes
- Fan writer 80 votes
- Campbell 91 votes
J.Mulrooney, the Castalia House nominee for Best Novel and the Campbell got 6 more votes for the Campbell than for Best Novel – which is a bit odd I suppose. John C Wright’s Short Story would have also picked up some votes from random Puppies still involved and I’d have thought it would have landed further from the Rabid mean…but it was effin awful even by JCW’s standards so maybe not.
So a mean in the low 70s and a median of 83 votes. Which looks to be irrelevant because those votes are probably all from 2016 members. The Rabid vote drops precipitously in the final numbers.
- Novelette 45 votes
- Short story 58 votes
- Best Editor Long 32 votes
- Semipro 17 votes (ouch)
- Fanzine 22 votes
- Fancast 15 votes
- Fanwriter 20 votes
- Campbell 26 votes
That’s it for now. Have to eat ice-cream for breakfast it seems 🙂
Two PDFs and a slightly different format than previous.
The final No Award run-off rounds don’t seem to be listed but they aren’t relevant. [eta they are there I jsut wasn’t paying attention]
The main vote stats are reassuringly dull. In most categories, the final winner got the most first round votes and maintained a lead throughout. An exception is Best Fan Writer. Chuck Tingle started out well, with Mike Glyer second and Abigail Nussbaum third. However, as others got eliminated and votes transferred, Abigail Nussbaum ended top. Round to decide second place then saw Foz Meadows leap ahead on the strength of transfers from Nussbaum. All very exciting! In the end, Mike came third and Chuck fourth, Natalie Luhrs fifth. Sixth place went to previous fan favourite No Award.
Rabids? The first round vote for Rabid nominees dropped to about 20 or less. The highest Rabid nominee on first round votes was Vox Day himself in Best Editor Long Form with 32. The Rabids are done folks – a last gasp (yes, I know that in the stories we love that is the worst possible thing to say…)
To the nominee stats and…um…gosh…thanks people.
How close was it?Camestros Felapton needed 3 more votes to displace Natalie Luhrs from the final ballot.Mark Oshiro needed 5 more votes to displace Natalie Luhrs.
I missed most of the ceremony because of timezones but it was great to wake up and see all the good stuff that had won. Stats later I hope and it looks like File770 servers have been swamped again on Hugo night.
Suprised but pleased that The Obelisk Gate won best novel. Brilliant book, but I didn’t expect a sequel to win and it was a very strong field.
In the something for everybody category, The Vorkosigan Saga, by Lois McMaster Bujold winning best series is not a surprise and a well-deserved win – plus a Hugo for Baen.
No live streaming, so I am only aware of rumours about how brilliant Ursula Vernon’s acceptance speech for The Tomato Thief was – apparently on the amazing ecosystems of dead whales.
Sad that Seeming’s Splendor & Misery didn’t win Best Dramatic Presentation Short. The Expanse is a worthy winner but not my top pick.
And that’s all I’ve got to say for the moment!
Details of the Hugo Award Ceremony coverage are out here http://www.thehugoawards.org/2017/08/2017-hugo-ceremony-coverage-plans/
For those not at Worldcon, there will be live coverage both as a text stream and a video stream (see link above for details). It really is wonderful that people can participate at a distance in this way – it is easy to forget how technology is adding to our lives.
Unfortunately for me, my current location means I will definitely be very much asleep when the ceremony starts. So my reaction and comments will be quite late – unless things are still going at 9 pm Helsinki time…which they might be! So if there are some unforeseen delays to the start of the ceremony it may be due to my psychic influence. Apologies in advance for that.
Everybody else – have a great time! The odds of amazing things winning are very high!
Gods, children, doors and keys – read the Hugo Novella finalists in the right order and you will get a weird, disjointed story about another world, close to ours, where pople become gods, those gods slowly lose their minds and their reality becomes fractured. To travel around this world or to reach ours requires magic keys and special doors.
- A Taste of Honey: the gods are human like, we see the first splintering of reality
- Penric and the Shaman: the gods have become more distant but still relatable, magic is more common place. Demons now exist.
- This Census Taker: The world has ceased to make sense. A strange, muderous man makes magic keys. A band of census takers vainly attempts to keep track of people. Their numbers no longer make sense.
- The Ballad of Black Tom: In 1920s America a man opens a door into other realities. The gods of the other reality are no longer benevolent.
- Every Heart a Doorway: In our world, a school looks after children who have crossed doorways into another reality of strange powerful beings who act on whims. Most of those who have returned are girls.
- The Dream Quest of Vellit Boe: In a chaotic inconsistent world where even mathematics is inconsistent and powerful gods dream mad dreams, a woman sets out to find keys to reality crossing doors. He world is strangely bereft of women.
As this uber-novel is hard to make sense of and jumps aound in time, it is presumably actually by David Mitchell, but then maybe ‘David Mitchell’ has always been a sceret project by Bujold, Meiville, McGuire, LaValle, Johnson and Wilson.
[Reading order originally appeared here http://file770.com/?p=36249&cpage=2#comment-672112 ]
The Bechdel Test (or if you prefer, the Bechdel-Wallace Test) is back in the news because of a particularly silly essay in the conservative National Review http://www.nationalreview.com/article/449340/bechdel-test-feminist-litmus-test-movies-useless-political-correctness
Now, yes, it is not some infallible instrument of feminist quality but it does a couple of things well:
- It is simple and sounds in principle like an easy bar to get over and that many films and other media don’t does highlight a genuine issue with the lack of representation of women.
- It is a handy criteria to use to aggregate data. Yes, yes, lots of exceptions – good positive stories about women that don’t pass and sleazy, stereotyped stories that do BUT in aggregate we can get a sense of how women are being portrayed.
Take the Hugo written fiction for example. Death’s End passes the Bechdel Test, whereas The City Born Great doesn’t but that doesn’t tell us much about either story specifically (particulalry given their different lengths).
But what if NONE of the Hugo finalist stories passed? What would that tell us? It would show that in aggregate that women were not well represented as characters and that at best they are represented in the context of men.
I did a quick count of some numbers using a sort of modified Bechdel test. The modification was partly out of laziness and partly to make the test a bit stricter. What I did was count up the stories were I could recall (without re-reading) whether two women had a conversation about something other than a man. In effect, that meant that the characters and the conversation were significant enough to the story that they were memorable. While I was at it I also counted up whether there was a significant woman character at all in the story.
I won’t give the data per story for two reasons:
- As I said above it isn’t about the individual stories.
- I may have forgotten a particular conversation in a story or dismissed it as not being substantial enough and that would be beside the point.
Anyway, of the twenty four* stories:
- 21 (87.5%) had a major character who was a woman (more depending on your definition of ‘major)
- 12 (50%) passed the Bechdel Test based on my recollection (possibly more if there are less memorable conversations)
- 12 (50%) passed a reverse Bechdel i.e. two men having a conversation about something other than a woman (again, possibly more – based on what I could remember of the characters)
Make of that what you will.
*[I counted “A Fist of Permutations in Lightning and Wildflowers” as a yes, even though there aren’t any conversations as such or maybe the whole thing is a conversation]