It’s been a long time since I linked to a post by the improbable 2016 Campbell Award Finalist and Inaugural Dragon Award Winner for Best Horror Novel That Was Actually A Space Opera, Brian Niemeier but a posy at his blog caught my eye [direct link, archive link].
Brian’s politics mixes standard alt-right nationalism and misogyny with a particularly reactionary form of Catholicism. People may recall Brian’s concern that literal demons are controlling the left (https://camestrosfelapton.wordpress.com/2017/03/05/demons-and-witches-and-the-left/ ), so not exactly a Pope Francis or Vatican II fan.
Anyway, Brian has a hypothesis about religion and fandom:
“Kicking Christianity out of public life didn’t usher in a bright, sexy chrome utopia. Instead of directing their pious energies into scientific pursuits, America did what everyone does absent Christianity: They turned pagan.”
‘X-thing is a religion’ is a bit of a cliche but I don’t think that analysis is wholly wrong. Rather, I don’t think religion is really a single social phenomenon at all but a whole bunch of things — which is why cultures don’t follow one of Christianity/Islam/Judaism have quite different boundaries as to what is and isn’t religious and how religion plays a role in wider society*. So, sure, I can believe there’s some commonality between fandoms and religion.
Indeed, I’d go further and say that I think how we engage with fiction and products of the imagination has a close connection with spirituality and how religion has become a part of human culture. Brian is making a different argument though:
“Human beings are wired for worship. If social pressure discourages worshiping God, those with less fortitude will worship trees, rocks, or even plastic figurines.
Religious identity was the engine that built the West, and it’s still a major motivating force elsewhere in the world. What has happened in the American Empire is that Christian identity has shattered, and the pieces have been scattered throughout various hobbies.
Which was precisely what the main players in the Enlightenment wanted–to reduce religion to a hobby indulged in the home with no effect on public life.”
Fandom therefore being the eventual warped expression of people’s instinct towards religion suppressed by the machinations of Enlightenment philosophers. I think we can safely assume that this is not the case. However, the next paragraph is what really caught my eye:
“To see how people’s identities have gotten mixed up in their hobbies, take a quick glance at the ‘gate controversies popping up among various fandoms on a more or less daily basis. #GamerGate was the big one, but it failed due to infiltration by controlled opposition and exploitation by online grifters. It’s telling that every subsequent fandom revolt has enjoyed a brief honeymoon period before skipping straight to the “milked by grifters” stage. “If a man loses faith in God, he doesn’t believe nothing, he’ll believe anything,” is illustrative here.”
It can be hard to tell with the alt-right what is a bad-faith nonsense and what is sincere nonsense. Occasional you get paragraphs like this that are so lacking in self-awareness that they can only be a sincere expression of some very confused beliefs.
As a reminder: Brian was not a major figure in the high points of the Sad Puppy campaigns (a relevant example of one of the right wing uprisings in fandom) but leveraged those campaigns to get his books promoted by the Rabid Puppy slates into a Campbell nomination and a Dragon Award. Brian was also the charmer who tried to stir up a second Dragon Award nomination into another culture war battlefront in a bid to get more votes for his book. (https://camestrosfelapton.wordpress.com/2017/08/08/niemeier-wants-the-dragon-awards-to-be-a-culture-war-but-the-culture-doesnt-want-to-play/ ) There may be better example of the ‘milked by grifters’ stage of the Sad Puppy Campaigns but only because it was never not a grift but Brian is a good example of late stage band wagon jumping.
“Few now can imagine–by design–a time when popular culture wasn’t partitioned into myriad fractured fandoms. Sure, people had different tastes, but there were cultural touchstones everybody shared, and more of them. Everybody tuned in to The Shadow. Everybody read Edgar Rice Burroughs. Everybody saw Gone with the Wind. But a people with a shared culture and a strong identity is hard to conquer, so universal popular culture had to go. Fandom was the murder weapon used to kill Western culture.”
Again a reminder: Brian writes anime-inspired right wing science fiction about people fighting in space-robot suits. He’s not exactly aiming for the mainstream. It’s that lack of awareness of his own micro-niche writing that makes me think he genuinely believes that’s what happened — that rather than technology and population growth making it economically easier for people to find stories that appealed to more finely delineated niches, that this was an actual plot to divide society.
Does he really think he would be happier if the only books or films available where the most mainstream ones? Also, if he believed that then shouldn’t he be doing his utmost to just consume the most modally consumed media? But it is like the person who wants religion to be mandatory who doesn’t get that it wouldn’t necessarily be their religion that would be enforced
He finishes his essay thus:
“Fortunately, there are creators laboring to forge new culture in the tradition of our ancestors. For a refreshing take on the mecha genre that clears away all the stale cliche cobwebs, check out my new martial thriller Combat Frame XSeed.”
Irony is dead, a knock-off Kindle Unlimited far right combat mecha killed it.
*[Not that Christianity, Islam or Judaism follow the same template either, but the similarities are what tend to shape what Western culture regards as the things a religion has: a god, a priest, a temple, a holy book, quasi-laws, exclusivity]
