Hugo Novel 2022: The Galaxy and the Ground Within by Becky Chambers

This novel isn’t a specific covid-narrative but the circumstance in which a group of travellers find their journey’s interrupted by a planetary lockdown adds plenty of parallels to recent experiences.

The planet Gora is a rocky wasteland of a world that is only inhabited because of its convenient location to a hub of wormholes-like “tunnels”. The numerous domed living spaces provide amenities to travellers and one such is the Five-Hop One-Stop: a kind of space motel. When an unexplained accident shrouds the upper atmosphere in debris, the guests of the Five-Hop One-Stop are forced to extend their stay.

Each of the guests (and the hosts) is alien and humans only appear tangentially. One of the guests, Pei, was heading to visit Ashby, the human captain of the ship from Chambers’s debut novel. The other characters are:

  • Roveg, a multi-limbed being with a hard shell who is an artist and an exile from his people.
  • Speaker, a small arboreal being who interacts with the others via a mech-suit due to her need for a methane atmosphere.
  • Ouloo and Tupo: the host and their child who are both Laru: four-legged furry beings with long flexible necks.

The characters clash and connect as Ouloo does her utmost to accommodate the extended stay of the diverse group. In the process, each one works through some of their personal dilemmas around the journey that was interrupted. Although there is a major medical emergency late in the book, the events are mainly driven by each of the guests learning more about themselves and their lockdown comrades.

The story very much fits the expectations of a Chambers novel. The stakes are galactically-low and focused on the personal. There is conflict but it is either resolved or accommodated by people finding ways to get along. If anything, the focus on this aspect is greater than in previous stories and oddly, I found it better for that. It is a novel that is far more confident in staying within this personal space that is nonetheless shaped by political and cultural events.

I still didn’t really like it a great deal though. I’ll talk more about what works and doesn’t work for me with Chambers’s approach when we get to A Psalm for the Wild-Built which I liked a lot more but I kept finding myself with lingering frustrations with the story.

An example. Speaker is an Akarak and in the course of the story she reveals to the adolescent Tupo that despite her being an adult, she is technically much younger than Tupo. The Akarak are very short-lived beings compared to the other species of the Galactic Commons and reach adulthood in just over a year. This is the kind of interesting detail that Chambers adds to each of the aliens: things that colour the differences and attitudes between them. However, this fact about the Akarak goes nowhere even though the enforced stay at the Five-Hop is taking a substantially bigger chunk out of Speaker’s life than the other guests. Instead, a major plot point is the difficulty of Speaker sharing communal meals with the other guests, even though, as a practical problem it isn’t that difficult. It just all felt backwards — I felt like the age thing was a major revelation that would shape aspects of the plot and character but instead getting snacks delivered to Speaker’s shuttle when she can just pick them up with her suit and carry them into the shuttle becomes central to the story.

That’s a nit-pick I know but it is part of a problem with the premise. The story has diverse aliens with radically different cultures, ways of communicating and ways of engaging emotionally and sensorily with the world around them. That’s an interesting challenge. The aliens are also just relatable people with understandable human-like problems and dilemmas — and that’s a fine basis for a story as well…but the two things that marry up well. The differences become trivial, and before you say “that’s the point”, well it robs these people of something in the process. The characters become humans in weird costumes and we are back to Star Trek aliens. Pei can’t relate to music and she’s basically a character who can’t relate to music but also that’s a thing about her species, like as if I’m an alien from the planet of people who are bored by sports.

The opposite approach, making aspects of the aliens a greater challenge to empathy and community is full of pitfalls. Aliens do double-duty in science fiction both as speculation about actual other intelligent beings but also as a metaphor for human variety, including ethnicity. Creating alien-aliens runs the risk of a story taking the premise of “what if racism is true” and there are stories that can run with that idea and end up in places that aren’t appalling. However, this story is centred on the idea of these people really being essentially similar but with different needs and wants.

OK, now I feel like I’m being mean. It’s a nice story and as I said, I actually liked it better than some others in the series in part because it is more focused on the signature aspect of the series.


16 responses to “Hugo Novel 2022: The Galaxy and the Ground Within by Becky Chambers”

  1. I liked it very much, particularly Pei’s dilemma, and learning more about the Quelin (sp?) through Roveg and the Akarak through Speaker, as the first book made those species look pretty bad.

    Liked by 1 person

  2. Ouloo and Tupo — “four-legged fury beasts” or “furry beasts”? I try not to be the spelling curmudgeon, but since I haven’t read the book I’d like to know which one they are, and if possible why a fury beast would have a public-facing job if they’re prone to sudden rages.

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  3. More than COVID, this one reminded me of some other disasters I’ve been in, such as the 1991 Oakland Hills fire, or Hurricane Harvey. I definitely enjoyed it more than you did, though you explain your problems with it well.

    Midway through I did find myself wondering if Chambers was going to manage to have any plot without resorting to a “tacked-on menace”, and to her credit she in fact did.

    Liked by 2 people

  4. So I loved books 1 and 3 in this series, so I’m a big Wayfarer fan.

    And yet I really disliked this book, in large part because I thought it raised conflicts between the characters that were very relevant to today’s world, one in which one character was clearly wrong and then just….never acknowledges that fact and pretends that everything is fine after that conflict is raised. I’m talking mainly about the conflict between Pei and Speaker about the Aeluon’s colonizing of other planets just because they’re “Unclaimed” while Speaker’s Akarak species isn’t allowed to have any planets – which Speaker has a big tirade about that makes Pei uncomfortable….and then is completely dropped due to a crisis that occurs between the characters on the personal scale. Chamber’s character work remains really well done, but that one bit kind of overshadowed everything for me, because the book never acknowledges Pei is wrong, and instead treats her again as just meaning well and Speaker accepting her, which is just…off.

    My full review is here:


  5. I loved it. It’s enough for me to spend time in Chamber’s worlds in which things seem to make a lot more sense than in ours.

    Liked by 2 people

  6. I’m listening to right now. I really love it. the characters are fascinating, the setting is superbly done in a minimalist manner. This is not a novel that I’d be able to able to review as it really turns off the critical receptors in my brain.

    Liked by 1 person

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