2011 was already starting to be a good year for Larry Correia. Early in January his 2010 book Monster Hunter Vendetta was number 5 in Locus Bestseller list for paperbacks[1]. A week later, he posted on his blog a suggestion for his fans:
“The Hugo Awards are fan based awards given out at each WorldCon. Only people that have attended the prior WorldCon or bought a membership to the current WorldCon can nominate. However this year WorldCon is in Reno, so I know a bunch of folks that read this blog are attending, and if you are, you need to vote! If you aren’t going, but you want to vote/nominate, then you can buy a supporting membership for like $50.
You need to get your nominations in quickly. They are due by January 31st. The information is at the link above.
You can nominate up to 5 things for each category. I’m not telling you how to vote, but this is what I’m voting for. I think that all of these things are deserving of an award, and even getting nominated makes you look cool. I fully do not expect to win, because not even a single robot is raped during the events of MHI or MHV, but getting nominated would be neat and that actually doesn’t take too many votes.”
https://www.monsterhunternation.com/2011/01/14/hugo-awards-it-is-time-to-get-your-nominations-in-and-yes-im-eligable/ [2]
Baen Books also listed Monster Hunter Vendetta in their Facebook post of eligible works[3]. However, Correia’s main hope was not a Hugo Award per se but the Astounding Award for Best Newcomer — the “not a Hugo” administered alongside the main awards, which at that time was called the Campbell Award.
“John W. Campbell Award: Larry Correia – debut novel: “Monster Hunter International” (2009) and sequel: “Monster Hunter Vendetta” (2010) from Baen – This one is for best new author that has come out in the last two years. And yes, I’m an egotist. But come on, I am pretty awesome.”
ibid
Correia also recommended two other authors for the Astounding Award, John D. Brown[4] and Dan Wells[5] both published by Tor and both Mormons from Utah. For other categories, Larry suggested other Baen authors and editors such as Sarah Hoyt, Michael Z Williamson and Toni Weiskpoff, as well as fellow Utah writers Brad Torgersen & Eric James Stone for short story, Howard Tayler for Best Graphic Story, as well as the podcast of Brandon Sanderson, Wells and Tayler for Best Related Work[8].
When the Hugo finalists were announced in April of that year, Correia was (rightfully) delighted:
“Thank you very much to all of you that nominated me, and I’m especially thankful for all of the Barflies. You guys are awesome.”
https://www.monsterhunternation.com/2011/04/25/i-am-a-campbell-award-finalist/ [9]
Larry was also delighted by some of the other finalists:
“I’ve got several more friends among the other category’s nominees. Eric James Stone in Best Novelette, Mary Robinette Kowal in Best Short, Writing Excuses for Related Work, and Howard Tayler for Best Graphic Story.”
ibid
Although he didn’t mention in either this post or the earlier one, the most high-profile Baen finalist: Lois McMaster Bujold’s Cryoburn[10].
The Astounding Award finalists do not typically get as much attention as the finalists for Best Novel. In early January (so unlikely to be related to any nomination), the website of the influential EscapePod podcast had published a negative review of Monster Hunter International, saying:
“I don’t have space to cover all the flaws in this book, so I’ll just hit the highlights. Because it was self-published and only later picked up by Baen, Monster Hunter International shows no sign of an editor’s pen. The characters are flat. The prose is stale and repetitive. The plot reads like something intended for a weekend of tabletop gaming, complete with prophetic visions from the storyteller to keep the protagonists on track.”
https://escapepod.org/2011/01/16/review-monster-hunter-international-by-larry-correia/ [11]
Later in the year, Nicholas Whyte reviewed the novel provided in the 2011 ‘Hugo Packet’[12]. Whyte’s description of Monster Hunter International was not positive:
“I do have little hesitation in putting Monster Hunter International last. It is relentlessly single-tone, derivative and predictable, and I can’t see how anyone could rank it above any of the other works included in the package. To an extent the John W. Campbell Award is about the future of the genre; books like this take us way back to the past, with the incidentals slightly jazzed up for the twenty-first century, and I think it would be embarrassing for the genre if Correia won on the basis of this.”
https://nwhyte.livejournal.com/1781669.html
In his ranking of the finalists, Whyte put Correia last and below ‘No Award’.
In later years, Correia would recount that either a “European snob reviewer” or a “British blogger” wrote either that “If Larry Correia wins the Campbell, it will END WRITING FOREVER” or that if Larry Correia wins the Campbell it will end literature forever”. I have searched for reviews saying these things but have not found them [13]. It is likely that Correia had read Whyte’s review as he would note:
“The other day when I was googling my name I found one place that ranked the Campbell nominees. They placed me at #6. Out of 5. 🙂 Apparently I wasn’t “nuanced” enough for them. Or as they said, I was a relentlessly single tone throw back. Oh, how the literati elite hate me.”
https://monsterhunternation.com/2011/07/23/alpha-reviews-and-john-brown-says-why-i-am-awesome/
And closer to the convention he would increase the number of people rating him sixth:
“I am the least favored to win by the literary critical types, (in fact, I’ve seen a few places where they have ranked me #6 out of the 5 finalists) but that’s cool, because I am the only author eligible that has had a gnome fight or trailer park elves. (or as one critic pointed out, I am a relentlessly single tone throw back, and another said that if I win it is an insult and a black mark on the entire field of writing.) SWEET! I’m so unabashadly pulpy and just happy to entertain, and thus offensive, that I make the inteligensia weep bitter blood tears of rage.”
https://monsterhunternation.com/2011/08/13/my-worldcon-schedule-and-running-commentary/
Worldcon shifting location every year is one of the distinctive features of the convention. UK based Worldcons have seen improved representation of British authors. The proximity of Reno to Utah also may have helped several Utah writers (Eric James Stone, Howard Tayler, Dan Wells, Brandon Sanderson and Larry Correia) chances on the nomination ballot. The popularity of the ‘Writing Excuses’ podcast helmed by Sanderson, Wells, and Tayler would also have contributed. Which is not to dismiss the relative talent of these finalists but just acknowledge the complex dynamics of the Hugo Awards.
The 2011 Hugo Awards had the common characteristic of the old and the new. The headline Best Novel category had a gender split of four women and one man[14]. Among the finalists, Connie Willis and Lois McMaster Bujold where long-time Hugo favourites, whereas Mira Grant (aka Seanan McGuire) and N.K.Jemisin where relative new comers. In the end voters chose Connie Willis’s dual novels Blackout/All Clear, which by definition was a popular choice but was not well received by everybody. Fan-writer Abigail Nussbaum responded to the win by saying:
“In other words, Blackout/All Clear‘s win not only rewards bad writing, it rewards cultural appropriation and exploitative business practices. It definitely has my vote for the worst best novel Hugo choice ever.”
http://wrongquestions.blogspot.com/2011/08/2011-hugo-awards-winners.html [15]
Larry Correia attended Worldcon in person with his writing friend Brad Torgersen. At the time, he reported a largely positive experience at the convention, aside from the hot weather.
“The Con itself was pretty interesting. This was my first WorldCon. There was a ton of fan stuff on the many panels, but not a real strong writing track. Sure, there were plenty of panels about writing, but it seemed like most of that time was spent on defining terms and genre “rules” as opposed to anything useful to the aspiring writers in the audience, like business or creative advice. There was a very distinct divide between what I’ll call the academic writers and the commercial writers. (yeah, you get one guess where I fall in that continuum). I participated in a few panels and observed a bunch of others, but that topic needs its own blog post.”
https://monsterhunternation.com/2011/08/23/worldcon-report/
Several years later, Correia would add an addendum to the post saying that his experience was not as pleasant as his 2011 post depicted.
“In 2011 I was still under the impression that I could be nice and keep my head down and play along and maybe eventually they would accept me. I was a new guy. All of my peers and friends in the industry told me to only talk about the positives, smile, and not say anything. I was afraid that if I talked about the negatives, it would be bad for my career.
So in this post I left out the negatives and only talked about the positives. It was at that birthday party that I was pissed off and ranting, but Toni Weisskopf talked me down from saying anything.
Brad was my roommate, and I vented to him about assholes trying to pick fights, and he warned me off of being anything but nice, and gracious too. Wow, have times changed. “
EDIT-4/10/2015 to the above post
At the time Brad Torgersen also reported the con as a positive experience and stated he was keen to attend the following year:
“Next year is Chicon 7, which I am 98.7% likely to attend. Both because of the potential for my name to be on the Campbell short list, and because Mike Resnick is the Guest-Of-Honor. You don’t say thanks to your Writer Dad by being a no-show at his GOH WorldCon in his own back yard — Mike lives in Cincinnati. So, barring a disaster, I will be on-deck for next year’s WorldCon. I deliberately played spectator this time, because I was new to the experience. Next year? I’ll be more actively structuring my time, to include putting my name in for panels and other events. After my cover story comes out this December, with the beautiful Bob Eggleton painting that was displayed in Reno, I think any lingering questions about my street cred can be laid to rest.”
https://web.archive.org/web/20110831211956/http://bradrtorgersen.wordpress.com/2011/08/25/whirlkon-report-wrap-up/
Brad’s multiple convention reports [16] portray a convention in which Brad was able to widely network with many fans and authors broadly sympathetic to his genre stance or at a minimum, sociable. The convention program[17] show (rather like the Hugo finalists) a mix of the old and the new. That program included a two hour session by SIGMA panel. SIGMA being the think tank of science fiction authors that consulted with the US Department of Homeland Security on potential threats and responses[18] and which was a kind of heir to (and shared many of the same authors as) Jerry Pournelle’s Citizen’s Advisory Council on National Space Policy[19]. The convention also had a significant presence from Baen Books as well as from Brad Torgersen’s publisher at the time Analog Magazine and (as both Correia and Torgersen had noted) a major presence of authors from Utah. Major guests included the fantasy artist par-excellence Boris Vallejo [20] and comic book author/artist Bill Willingham whose Fables series as well as being a critical and commercial success, also reflected Willingham’s right-leaning views[21]. In short, it was a convention which had a lot to offer for a science fiction fan with right of centre views and this was reflected in the accounts of Larry Correia and Brad Torgersen at the time[22].
What is also notable is an absence. By 2011 it was difficult to leave no trace of widespread discussion on the Internet. It is true that issues with some platforms (such as LiveJournal) with deleted accounts can make it hard to follow the full back-and-forth of a discussion as it happened[23] but the opposite is also true — it is next to impossible to erase a discussion altogether. Trawling through LiveJournal or web-searches in general provide almost nothing in terms of negative reviews or criticism of Larry Correia in 2011. There may be examples that have since been deleted but we can say with confidence that Correia’s Astounding Award nomination did not result in a large or visible backlash within fandom. If anything, it was largely ignored[24].
By December, Correia was thinking about the Hugo Awards again and described:
“And while I’m thinking about it, if you’ve read Hard Magic and you are a WorldCon member or attendee, you should think about nominating it for the Hugo. I’m just saying… First off, it is actually really good and very original, and second, and far more importantly, the literati hoighty-toighty absolutely hate my guts, I’ll always just be an action-pulp-right wing-gun guy to them, and if I get nominated again their heads will explode. You have no idea how much joy I got from the reviews last year that talked about how if I won it would “end literature forever”.”
https://www.monsterhunternation.com/2011/12/18/random-updates-and-fun-with-internet-critics/
Whatever critics might say about Larry Correia, he has the natural disposition of a novelist and we can read drafts and re-drafts of the story about time he was an Astounding Award finalist. A truer assessment at the time may have been that the “literati hoighty-toighty” were not paying any attention to Larry Correia. That would change and it would be Correia who would change it.
Next Time: Misogyny, the “socio-sexual hierarchy” and a long running feud. Vox Day versus John Scalzi.
Footnotes
