Springtime for Bialystock and other stories

More than one person has asked me about Vox Day’s move into the movie business. I considered writing about it the other day but it’s always a fine line between keeping an eye on the alt-right and inadvertently helping whatever con game is going on. Specifically, crowd funding a film that never gets made is a simple way for an unscrupulous person to make money out of gullible people and if you can blame the film not being made on evil SJWs then a cynical person can even avoid getting blamed for not delivering. Is Vox Day such a person? I don’t know but I believe his ethics are dubious in other ways.

In the end curiosity got the better of me and so I went to see who and what is going on just in case other things happen.

So a short summary. Vox Day released a ‘trailer’ for a film version of one of his publishing house’s comics: “Alt-Hero: Rebel’s Run”. The trailer is in two parts. The first part is a mix of some footage of a woman in sunglasses in a car (presumably the Rebel character from the comic). This is edited together with bits of stock footage to give an impression of an action movie. After that is a pitch about a possible movie based on the property with interviews with the comics writer Chuck Dixon, Vox Day and the proposed producer and director of the film.

The film hasn’t been made yet so the actor and the footage is neither here nor there currently. It’s the start of a crowd-funding campaign to get investors to fund the production of the film.

looking for investors

The production company Galatia Films appears to be a real company that is involved in real films. The man named as producer, Daniel McNicoll, main claim to fame is a documentary about swords in films which mainly features lots of clips from other films as well as interviews with Viggo Mortensen and Karl Urban. The film was promoted by Alex Jones of Infowars [https://rationalwiki.org/wiki/Alex_Jones] who had McNicoll on his show. The proposed director, Scooter Downey, is also a real person whose main credit is producing a propaganda documentary for the dodgy right wing ‘journalist’ Mike Cernovich.

In the middle of the scheme is a company set up specifically to make the film called “Viral Film Media“. Regular readers will note that the initials are “VFM” i.e. ‘vile faceless minions’ Day’s nickname for his followers. Having said that Day himself is not part of the company as such.

Details about the company are available from the crowd-funding platform that is being used. This is a somewhat obscure platform called “Silicon Prairie” based in Minnesota, which was Day’s home state until he fled abroad. The specific VFM page is here https://vfm.sppx.io/ [archive link]

VFM has been set up as a limited liability company [an LLC https://www.investopedia.com/terms/l/llc.asp ] and currently has assets of $297,423 which is all as cash or cash equivalents. It has a set of directors which include Daniel McNicoll who is also Executive Director of Galatia Films. Vox Day isn’t a director or an officer of the company, which is interesting.

The aim of the crowd funding is to raise between $750,000.00 and $1,070,000.00. Which is both a lot of money and hardly any money at all depending on how you look at it. There’s a nifty breakdown of how the money will be spent.

  • Creative: Writer, Producer, Director and Actors:
    • $174,250.00-$273,490.00
  • Production: Production Staff, Art Department, Proceeds Camera, Food, Lighting, Sound, Wardrobe, Make-up, Props, Travel, Locations, Production Office:
    • $209,100.00-$308,530.00
  • Post-Production: Editing, Music, Sound, Title, CGI, Graphics, Deliverables:
    • $209,100.00-$308,530.00
  • Marketing:
    • $41,820.00-$41,820.00
  • Contingency expenses:
    • $41,820.00-$41,820.00
  • Professional fees (legal, accounting):
    • $20,910.00-$20,910.00

The company boast of already having secured the services of a scriptwriter for the film, a certain Vox Day.

Securing a writer is an important step

The company hasn’t spent much money yet although it did spend $3,054 on the trailer. People have made successful films for less than a million dollars but there aren’t many examples. Notably, Vox gets paid as a writer so long as the film company starts production. Which makes this definitely different from the plot of The Producers, as the incompetent Nazi writer in that film doesn’t get paid.

[ETA: If you visit the Galatia website you will see a trailer for the film Goodbye Christopher Robin. Obviously this isn’t one of the company’s films. The connection is that, according to IMDB, one person in the company was an uncredited “development executive” for the film.]

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7 responses to “Springtime for Bialystock and other stories”

  1. Yikes.

    A lot of VFM seem to be handing their shirts over here.

    I saw some stats a while ago which suggested that the market for crowd funding alt-right comics had basically gotten oversaturated, and while in the “glory days” individual projects had done big numbers they were now sharing a slowly shrinking pot between a lot more of them.
    I wonder if this will kick off a similar pattern?

    Liked by 2 people

    • Never mind that a lot of those crowdfunded alt-right comics didn’t deliver (whatever else you can say about them, JDA and Vox’s Arkhaven Comics at least did deliver the promised products), so potential donors are getting more careful.

      Liked by 1 person

  2. Just shifting the grift from comics to films. I suspected that McNicoll was a fellow traveller of Ted’s but didn’t have time to do much research yesterday between working and swording. I’m half-interested in his documentary to see if it’s accurate or just gets things wildly wrong about swords.

    Liked by 1 person

      • If I can find it, and have time to watch it, I’ll let you know along with a note on whether it’s any good or not. My gut instinct, backed up by the synopsis on IMDb, is that it’s going to mythologise about how great swords are instead of give any useful or real info.

        Liked by 1 person

    • I suspect it’s going to be “swords are like the bestest and coolest weapons ever, and was the primary weapon of EVERYONE in the insert over-wide time period here and especially Errol Flynn movies are a great depiction of swords used for realz.”

      But, and I must admit it, I am merely extrapolating from almost nothing here.

      Liked by 2 people

      • You have to go into this sort of thing with low expectations so you might be pleasantly surprised.

        Like

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