So first off, thank you to everybody who voted for me. It really was special having Robert Silverberg present the awards. Sarah Gailey was a very deserving winner. I had a respectable showing but I guess the most elegant outcome would have been to have lost to No Award :).
Results here http://www.thehugoawards.org/hugo-history/2018-hugo-awards/ and here http://file770.com/2018-hugo-winners/ and breakdown of results are here https://www.worldcon76.org/images/publications/2018DetailedResults.pdf
There were plenty of surprises but my only disappointment was that The Divine Cities didn’t win Best Series. Bujold is hard to beat though!
I wasn’t surprised, on reflection, that Sana Takeda won best professional artist — Monstress is exquisite and was my top pick for the graphic story — but I was surprised that Victo Ngai didn’t do better.
The did-Uncanny-win-twice thing happened, once for Best Editors and once as Best Semi-prozine. It’s a bit like Best Film and Best Director at the Oscars — it’s not an award for the same thing but winning either has a strong implication that they should win both. The two awards have too much in common currently and it is Best Editor that needs to change. Of course, both Uncanny and the Thomas×2 were deserving winners and I don’t want to take the shine off their rockets.
Sad that Mike Glyer couldn’t make the awards. He also withdrew File770 from further nominations, which was very magnanimous. Winning a Hugo this time in the first puppy free year since 2012 was important.
I haven’t had time to delve into the nomination stats much yet. Interesting to see how EPH works. As a rough rule of thumb, categories where the red highlighted nominees run consistently stepwise along the bottom, are categories were I think EPH probably had little impact. Where there is a bit of a ‘shelf’ with red text over black, it’s more interesting.
In other non-news it looks like the Castalia House blog has started functioning again – which is dissapointing:)